It is in the center of Buenos Aires that Eduardo Stupia decided to install his studio entirely dedicated to creation. In a 20th century house, wedged between two modern buildings, he occupies a large space in which he can indulge in his favorite art, drawing. His works, which he describes himself as abstract landscapes, are drawn with pencil, charcoal or Indian ink. In his heterogeneous compositions, where the graphic language and the precision of the gesture hold a central place, Eduardo Stupia explores the semantics of the drawing and opens the fields of the imagination.